Ollin Arrageed -> | 1978-09-16 | Grateful Dead

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 15-SEP-2018 - Trader Little Helper
- Tagged 15-SEP-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 3 OF 16

3:26:03

SBD

Transferrer:

Kevin Tobin

SHNID:

gd1978-09-16.mtx.dts.tobin.95327.flac16

SOURCE 4 OF 16

gd1978-09-16.mtx.tobin.95316.flac16

SOURCE 5 OF 16

gd78-09-16.sbd.orf.2319.sbeok.shnf

Source:

Soundboard

Lineage:

SBD Reel > DAT > Montego II Plus > CDRWAV > CD-R > SHN

Taper Notes:

View NotesSBD Reel > DAT > Montego II Plus > CDRWAV > CD-R > SHN; no Sunrise; via Leigh Orf- reextraction from CDR copy

SOURCE 6 OF 16

3:32:58

SHNID:

gd1978-09-16.143124.5-1.ktobin.flac1648

Source:

5.1 LPCM Surround Sound Mix (48k)

Taper Notes:

View Notes5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014

---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 15-SEP-2018 - Trader Little Helper
- Tagged 15-SEP-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 7 OF 16

Jim Blackwood and Jamie Waddell

SHNID:

gd1978-09-16.140935.bear.gems.flac1644

Source:

Recorded in "KHAFRE'S TEMPLE NEAR SPHINX, TOTAL ECLIPSE OF THE MOON; Maxell UDXLII from Nagra Dolby CRo2 NI-356; Transfer and Masterig By Jim Blackwood; fixed version of <a href="http://db.etree.org/shn/140477">source ID 140477</a>

SOURCE 8 OF 16

2:44:49

Transferrer:

Jamie Waddell and Jim Blackwood

SHNID:

gd1978-09-16.140932.BEAR.gems.flac2496

Source:

Recorded in "KHAFRE'S TEMPLE NEAR SPHINX, TOTAL ECLIPSE OF THE MOON, 23∫ " - Bear, "Maxell UDXLII from Nagra Dolby CRo2 NI-356", Transfer and; Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell; This is 108845 with channels inverted; fixed version of <a href="http://db.etree.org/shn/108845">source ID 108845</a>

Taper Notes:

View Notes"We now return our souls to the creator,
        as we stand on the edge of eternal darkness.
        Let our chant fill the void
        in order that others may know.
        In the land of the night
        the ship of the sun
        is drawn by the grateful dead."          
  
        -- Egyptian Book of the Dead

The Grateful Dead
at the base of the Great Pyramid
September 16, 1978

" I'm sure i saw the Sphinx smile! " Richard Arridge
Please check out his website of the Egypt Shows
http://www.ukrockfestivals.com/egyptph2.htm

SOURCE 9 OF 16

2:44:49

Transferrer:

Jamie Waddell and Jim Blackwood

SHNID:

gd1978-09-16.140477.fixed.BEAR.gems.flac1644

Source:

Recorded In "Khafre's Temple Near Sphinx, Total Eclipse Of The Moon, 23" - Bear, maxell UDXLII From Nagra Dolby Cro2 NI-356", Transfer And Mastering By Jim Blackwood, With Listening Assistance And Track/Flac By Jamie Waddell; <a href="http://db.etree.org/shn/140935">fixed version</a> in circulation

SOURCE 10 OF 16

3:16:01

Transferrer:

John D'Auria; Dave Schall

SHNID:

gd1978-09-16.136809.schall.FOB.flac16

Source:

Source: Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder;

Lineage:

Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; shn CD import > xACT for flac fingerprints and md5 verification > FLAC by Dave Schall

Taper Notes:

View NotesThe mics were hidden behind a cotton headpiece for most of the show.  Levels may be muffled in certain 
places, and are not an artifact of the transfer.  This is a real gem with the 

* Hamza El-Din
%  Final "Surise" - Lunar Eclipse

SOURCE 11 OF 16

3:16:01

SHNID:

gd1978-09-16.136809.FOB.schall.flac16

Source:

Source: Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder;

Lineage:

Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; shn CD import > xACT for flac fingerprints and md5 verification > FLAC by Dave Schall

Taper Notes:

View NotesTransferred and seeded by John jcdauria@biology.lsa.umich.edu http://sativa.etree.org
Special thanks to "The Face" and friends who taped the show in '78(~);-}

Note:  The mics were hidden behind a cotton headpiece for most of the show.  Levels may be muffled in certain 
places, and are not an artifact of the transfer.  This is a real gem with the 

* Hamza El-Din
%  Final "Surise" - Lunar Eclipse

SOURCE 12 OF 16

gd1978-09-16.gems.BEAR.108845.flac24

Source:

<b>flac24</b>;Recorded in "KHAFRE'S TEMPLE NEAR SPHINX, TOTAL ECLIPSE OF THE MOON, 23∫ " - Bear, "Maxell UDXLII from Nagra Dolby CRo2 NI-356", Transfer and Masterig By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell

SOURCE 13 OF 16

Bob Menke and Derek McCabe and Bill Koucky

SHNID:

gd1978-09-16.fob.sonyecm280.porray.motb-0139.107305.flac16

Source:

2 x Sony ecm 280 mics >> Sony 153sd >> MAC

Lineage:

MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16

SOURCE 14 OF 16

gd1978-09-16.165798.remastered.107305.Cairo-Egypt.sony.ecm280.acetboy.flac16

Source:

remaster of source 107305 by acetboy MOTB Release: 0139 16-44.1 Taped By: Eldon Porray Transfer By: Bob Menke Mastering By: Bill Koucky, Derek McCabe

Taper Notes:

View NotesThis is a remaster of shn %107305.

All of the work was done in ocenaudio and Harrison Mixbus.
The included before and after screen captures show the whole show.
You can't see everything I do in them but they give an idea of how they are different from the original.
If the original files were high res then most of the work was done at that rate.
The finished product is CD quality.  The files are tagged.

acetboy 2023-09-15

SOURCE 15 OF 16

anonymous (bagsgroove)

Transferrer:

Kevin Tobin and Brian Green

SHNID:

gd1978-09-16.aud.tobin.patched.95292.flac16

Source:

2 Nakamichi 700 cardioid mic's > Sony TCM 158 stereo cassette recorder > MAC (Maxell UDXL 2) > Sony TC-KE5000S Cassette player

Lineage:

MAC (Maxell UDXL 2) > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > flac lvl 8 (tlh)

SOURCE 16 OF 16

anonymous and Brian Green

Source:

2 Nakamichi 700 cardioid mic's > Sony TCM 158 stereo cassette recorder

Lineage:

MAC (Maxell UDXL 2) > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > flac lvl 8 (tlh)

Taper Notes:

View Notes- The Hamza set was not included with this source and has not been spliced in. 

- All tape pauses between tracks were cross faded. 

- There are few glitches and dropouts present throughout. 

- Right after Iko Iko, the left channel dropped down to darn near nothing. Rather than splice in the soundboard, I was
able to lift the RMS and save it up to mid drums, from this point on, there was not only the severe drop in the left
channel level, but some real heavy distortion became present. Left with the options to either splice in the soundboard or 
make a mono patch from the right channel, I opted to make the mono patch and preserve the source as best as I could. You 
can certainly hear the change. Overall, all things considered, this is a very nice source, my favorite show of the Egypt
run. 

- Some slight bass distortion and minor clicks present in the mono patch. 

- This source is also subject to what some call hiss, I prefer analog warmth. Call it what you will :-)
 
- Ok, here is the story. Last week or so I was contacted by a fellow LL'er named moon. He Pm'ed me and asked
if he could seed some new sources for the 9/14/15/16/1978 shows. This really sparked my curiosity. The files were
transferred to my server to have a listen and look. After listening myself, and asking other respected members of the
communities opinion, we came to the conclusion these are new sources, I decided to have a go at just putting a
little polish on them, very little was done aside from the above listed patches and a gain bump since the files were
provided at 16/44.1. The taper did all the transfer work and passed this along anonymously, which he wishes to remain
and I will respect. The first set of this show was taped on mic stands. After the first set, the taper was asked to take
them down, so he impromptu began to stealth record the show, thus explaining the sonic changes, and the lack of wind noise
after the set break. Just as a disclaimer here, I'm in no way shape or form declaring this an upgrade, just an additional
source these deserve to circulate and I am happy to get this tapers work out there. Take what you want and leave the rest.

- Thanks to the anonymous taper, bagsgroove, and moon for helping get this to me and relaying information.